(2018), Generation Loss: 10 Year Julia Stoschek Collection, Dsseldorf, Germany (2017), Number Twelve: Hello Boys, Julia Stoschek Collection, Dsseldorf, Germany (2016), The Gender Show, Eastman Kodak House, Rochester (2013), MoMA Media Lounge, The Museum of Modern Art, New York, New York (2012), Scrying, The Museum of Modern Art, New York, New York (2010), She Devil 5, MACRO Museo DArte Contemporanea, Rome, Italy (2011), Reflections on The Electric Mirror: New Feminist Video, curated by Lauren Ross, Brooklyn Museum, Brooklyn, New York (2009), Dunking and Wrestling: The Museum of Modern Art, New York, New York (2008), A Starting Point: Intrude 366Dynamics of Change and Growth, curated by Biljiana Ciric, Zendai Museum of Modern Art, Shanghai, China (2009), Fragile, Julia Stoschek Collection, Dusseldorf, Germany (2008), That Was Then, This Is Now, PS1/MoMA, Long Island City, New York (2008), Under the Influence, Center for Curatorial Studies, Bard, Annandale-on- Hudson, New York (2008), Jen DeNike, KW Institute for Contemporary Art, Berlin (2006), PS1 / MoMA, Long Island City, New York (2005), Boys Behaving Badly, curated by Valerie Cassel, Houston Museum of Contemporary Art, Texas (2004)
Each painting shares the title Dream Police , followed by a possessive pronoun and a body part (Dream Police (Your chest) , Dream Police (Our spine with shadow) , Dream Police (My shoulders) ]
In summary, "A Counter-Blaste to Tobacco" is a multifaceted work that weaves together concerns about health, economy, morality, national identity, and the very nature of royal authority
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